CategoryTHE VIRTUAL BOOK CHANNEL

Why We’re Seeing So Many Bunnies on Books ‹ Literary Hub

The bunny is having its book cover moment. If you don’t believe me, head to your closest bookstore and look for recent award winners: you’ll find Bora Chung’s Cursed Bunny, recently shortlisted for the National Book Award for Translated Literature, cozied up next to last year’s winner for fiction, The Rabbit Hutch by Tess Gunty. In between, you might see Rabbit Cake, Cursed Bunny, Hell Bent...

Gabriel García Márquez on the Magic of Juan Rulfo ‹ Literary Hub

My discovery of Juan Rulfo – like that of Kafa – will without doubt be an essential chapter in my memoirs. I had arrived in Mexico on the same day Ernest Hemingway pulled the trigger – the 2nd of July 1961 – and not only had I not read Juan Rulfo’s books, I hadn’t even heard of him. It was very strange: first of all because in those days I kept up to date with the latest goings on in the literary...

Do You Believe in Magic? On The Timeless Charm of Children’s Books ‹ Literary Hub

I make books about books, and every year hundreds of people commission me to make custom art prints for them or their loved ones, of the spines of the books that changed their lives and made them who they are today. And as a result, I’ve read quite a lot of books—for people of all ages—and spent a lot of time researching which books people love most. Here’s what I’ve noticed: Even when an adult...

Visiting Vonnegut’s Indianapolis ‹ Literary Hub

There is an old joke about a confession. “Father, I must confess that I’ve sinned,” a man tells the priest, “I’m guilty of stealing.” The priest asks, “What did you steal?” “Well, a ham,” says the man. “What did you do with it?” Confusedly, the man responds, “I hid it under the bridge outside town.” “Well, just leave it there and say three Our Fathers for your penance.” He left the ham and said...

Maestro Slips into Easy Conversation with A Star is Born ‹ Literary Hub

Maestro opens and closes with two of the most familiarly lukewarm indulgences of the biopic: the epigraph that precedes the action and “real footage” of the “real person” that accompanies the credits. The former, especially when not explicitly a quotation from the subject (Oppenheimer, The Big Short, The Hurt Locker, et al.) serves as an awkward thesis sentence. It consigns the image to the...

We Want to Make It Feel Like a Party. On the Transformation of Southwest Review ‹ Literary Hub

In the past five years a magazine from Dallas, Texas, has made a small but palpable stir in the world of literary journals, publishing stories, poems, and essays by some of the most exciting writers from several Latin American countries, including Ecuador, Mexico, Bolivia, and Colombia, in addition to some extraordinary voices from the United States. Southwest Review, for anyone paying attention...

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola ‹ Literary Hub

To study Nicolas Cages rise is also to study Francis Ford Coppolas fall from grace. You cannot write about one without the other. In the early to mid-80s, their trajectories were almost conversely linkedCage siphoning power from his uncles desperate need to work, like Michael Corleone growing stronger with the Godfathers faltering health. Except it wasnt Coppolas physical health that was...

How the Publicity Campaign for Killers of the Flower Moon Recalls Rosebud Yellow Robes 1950 Hollywood Tour ‹ Literary Hub

Here is Rosebud Yellow Robe, a confident, handsome gentlewoman in early middle-age, looking off to her right, apparently indifferent to her portraitist. She wears a loose elk-skin ceremonial dress with beaded figures of cavalrymen and warriors worked in on fine sinew. It is a representation of the Battle of Little Bighorn, in which her grandfather had fought. If you were a child in New York in...

The Pyschedelic Life and Art of David Edward Byrd ‹ Literary Hub

It’s odd to think that this history of artist David Edward Byrd started with a trip to the bathroom… but it did. However, this visit to the john was far removed from much of the history youre about to read. It didnt take place in the artist hatchery of 1960s Carnegie Tech (later Carnegie Mellon University), where Byrd studied. It wasnt among the grimy streets of New York, where Byrd first created...

Benjamin Moser on What We Can Learn from Failed Dutch Painters ‹ Literary Hub

When I was 25, I moved to the Netherlands from London.The reasons were two. I wanted to be with my Dutch partner, and I wanted to have a go at writing. Moving abroad, starting a new life with someone, leaving my jobin publishing, stepping into the void of a writing career: it was the kind of leap that you only take when youre young. But even if you muster the courage, theres still nobody to tell...

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